Garry Newman, the creator of Garry's Mod, recently received a DMCA takedown notice, reportedly from a party claiming copyright ownership over Skibidi Toilet assets used in Garry's Mod creations. The situation is shrouded in confusion, highlighting the complexities of digital copyright and the ironic origins of the meme itself.
The notice demanded the removal of unauthorized Skibidi Toilet content within Garry's Mod, citing a lack of licensing. Initial reports wrongly implicated Invisible Narratives, the studio behind the Skibidi Toilet movie and TV projects. However, Alexey Gerasimov, the creator of the DaFuq!?Boom! YouTube channel (the source of the original Skibidi Toilet animations), has since denied sending the notice. The true sender remains unknown, though the notice lists Invisible Narratives, LLC as the copyright holder.
The irony is palpable. The Skibidi Toilet meme itself originated from assets within Garry's Mod, a game built using Valve's Half-Life 2 assets. While Garry's Mod's use of Half-Life 2 assets is authorized by Valve, the subsequent use of Garry's Mod assets to create Skibidi Toilet now faces a copyright challenge. This raises questions about the validity and enforceability of the claim, especially considering Valve's own ownership of the original assets.
Invisible Narratives' claim centers on their 2023 copyright registration for characters like Titan Cameraman, Titan Speakerman, Titan TV Man, and Skibidi Toilet. They pointed to DaFuq!?Boom! as the source of these characters. However, DaFuq!?Boom! vehemently denies any involvement in sending the DMCA.
This isn't the first time DaFuq!?Boom! has faced copyright scrutiny. Last September, they issued multiple copyright strikes against GameToons, another YouTube channel, resulting in a tense standoff before an undisclosed resolution.
The situation underscores the challenges of establishing clear copyright ownership in the rapidly evolving world of online content creation and memes. The legitimacy of the DMCA notice remains uncertain, and the ongoing investigation promises to shed light on the complexities of digital copyright in the age of user-generated content.
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